but i have listened to a lot of music and played some poker. i didn't get rich while i was gone because you have to spend money to make money, blah, blah, etc... however, i did fairly well...placing second behind a good friend in the weekly poker game hosted by WCP . i will also now be playing in this game a little more regularly and hopefully getting into the points system that determines winners for each "season" of play throughout 2006. i will keep you updated on how that goes... winning is everything though, i need a bankroll to keep playing.
as far as music goes, the best thing that i can tell you to do right now is to go and sign up for e-music (seriously, not just for my benefit...for your own wallet's) and download all of the music that is listed on my sidebar under "most recent downloads".... seriously, i can't help you if you don't help yourself....like god, only with music and not anything else.... oh, and i also own your soul.
most importantly, get the latest album by criteria, when we break.
rising from the ashes of one of my personal faves, the white octave (which itself finds its roots in another stalwart of my collection, cursive), criteria takes the white octave sound and smooths it out a little and then plows forward. their first release, en garde, as their website puts it, was "criminally overlooked", but what they did get was attention from indie powerhouse saddle creek records. their follow-up LP, when we break, was realeased in august to critical acclaim and saddle creek has re-released en garde as a result. listen to it, its good, i promise.
"i'm stuck in a basement world..."
::songs::
from en garde - it happens - me on your front porch
from when we break - prevent the world - run together
::other related tracks::
the white octave - style no. 6312 - appeals for insertion - call the kiss - style no. 6312
cursive - such blinding stars for starving eyes - retirement
(ed: cursive has gone on to bigger and more brilliant things, but this album was the only LP put out with Steve Pedersen on guitar, who later went on to form the white octave and criteria) |
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